GETTING MY POP MUSIC TO WORK

Getting My pop music To Work

” He was one thing actually new: a Midwestern trailer-park kid with critical problems and an limitless source of uproarious rhymes.The initial rap strike on a major label, peaking at Range 87, was a no-frills joint: a loping bass line and leaping beat While using the Harlem-born Blow presiding above playground-celebration noises and percussion br

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